(Source: youplaguemymind, via rollthedrumss)
(Source: youplaguemymind, via rollthedrumss)
Terence Koh
These Decades that We Never Sleep, Black Light
2004 Crystal chandelier, paint, lollipops, vegetable matter, human and horse hair, mineral oil, rope from a ship found after midnight, glass shards, stones and artist’s blood and shit
(via idreamofaworldofcouture)
Dsquared² Autumn/Winter 2012
(via idreamofaworldofcouture)
Givenchy Haute Couture Autumn/Winter 2010
(via idreamofaworldofcouture)
Artwork by Maurizio Anzeri
Maurizio Anzeri makes his portraits by sewing directly into found vintage photographs. His embroidered patterns garnish the figures like elaborate costumes, but also suggest a psychological aura, as if revealing the person’s thoughts or feelings. The antique appearance of the photographs is often at odds with the sharp lines and silky shimmer of the threads. The combined media gives the effect of a dimension where history and future converge. The image used in Round Midnight is an early 20th century ‘glamour shot’ that at the time would have been considered titillating for both the girl’s nudity and ethnicity. Anzeri’s delicately stitched veil recasts the figure with an uncomfortable modesty, overlaying a past generation’s cross-cultural anxieties with an allusion to our own.
(via idreamofaworldofcouture)
Visionaire 60 by Riccardo Tisci
(via idreamofaworldofcouture)
Vogue India May 2012
(via idreamofaworldofcouture)
Models wearing Christian Dior by Ruven Afanador for Vogue Germany April 2003
(via androphilia)